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What is beauty? Can there ever be a consensus on what is considered beautiful? Or is beauty a purely subjective perception? Is beauty timeless?

The Line — German Design Award 2021 »Winner« Excel­lent Pro­duct Design — Lighting

The logic of beauty

If you look at design clas­sics from the Bau­haus period, for exam­ple, you can see a pat­tern. At the time of their crea­tion, these desi­gns were radi­cal and revo­lu­tio­nary, con­cei­ved of a rea­di­ness to break with con­ven­tion and com­ple­tely rethink solu­tions. Steel pipe fur­ni­ture rede­fi­ned the con­cept of a han­d­craf­ted wooden chair. Curved steel piping was inten­ded for indu­strial manu­fac­tu­ring, but now it came to enable a new arche­type – the can­ti­le­ver chair. It heral­ded a new dimen­sion in com­fort and ulti­ma­tely became a clas­sic that has lost nothing of its rele­vance 80 years after it first appea­red. This logic crea­tes a true beauty and at the same time results in a sustai­na­ble – think time­less – pro­duct.

can­ti­le­ver chair B55 by Marcel Breuer, 1930s,

LED tech­no­logy not only allows us to design extre­mely eco­no­mi­cal lumi­nai­res, but new arche­ty­pes too. A lumi­naire like »The Line« would be incon­cei­va­ble without this tech­no­logy, and fully inte­gra­ting the reflec­tors into the pole is a logi­cal next step. This maxi­mum reduc­tion in form allows these lumi­nai­res to be used in the com­plex urban space in a range of shapes, colours and styles from dif­fe­rent periods of con­struc­tion. It forms a bridge bet­ween high effi­ciency on one side of the divide and light qua­lity on the other, and will still be rele­vant in many years to come.

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