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What is beauty? Can there ever be a consensus on what is considered beautiful? Or is beauty a purely subjective perception? Is beauty timeless?

The Line — German Design Award 2021 »Winner« Excel­lent Pro­duct Design — Ligh­ting

The logic of beauty

If you look at design clas­sics from the Bauhaus period, for example, you can see a pat­tern. At the time of their cre­ation, these designs were radi­cal and revo­lu­ti­onary, con­ce­ived of a readi­ness to break with con­ven­tion and comp­le­tely ret­hink solu­ti­ons. Steel pipe fur­ni­ture rede­fi­ned the con­cept of a handc­raf­ted wooden chair. Curved steel piping was inten­ded for indust­rial manu­fac­tu­ring, but now it came to enable a new arc­hetype – the can­ti­le­ver chair. It heral­ded a new dimen­sion in com­fort and ulti­ma­tely became a clas­sic that has lost not­hing of its rele­vance 80 years after it first appe­ared. This logic cre­ates a true beauty and at the same time results in a sus­ta­inable – think time­less – pro­duct.

can­ti­le­ver chair B55 by Marcel Breuer, 1930s,

LED tech­no­logy not only allows us to design ext­re­mely eco­no­mi­cal lumi­na­ires, but new arc­hety­pes too. A lumi­na­ire like »The Line« would be incon­ce­ivable wit­hout this tech­no­logy, and fully integ­ra­ting the ref­lec­tors into the pole is a logi­cal next step. This maxi­mum reduc­tion in form allows these lumi­na­ires to be used in the comp­lex urban space in a range of shapes, colo­urs and styles from dif­fe­rent peri­ods of const­ruc­tion. It forms a bridge bet­ween high effi­ci­ency on one side of the divide and light quality on the other, and will still be rele­vant in many years to come.

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