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Landscape design

Public spaces need to embrace nature once more to become more human-centric. How can light help?

Tuch­kov-Buyan-Park mit Olivio Wood, St. Peters­burg, West 8

Our mis­sion is to sup­port desig­ners in cre­ating subtly laye­red public spaces that are neut­ral, simple and aut­hen­tic in form and func­tion. Time­less and integ­ra­tive spaces that are shared spaces in the truest sense: where beha­vi­our isn’t watc­hed, dic­ta­ted or mani­pu­la­ted, where people don’t have to follow the herd but can be them­sel­ves. We cons­tantly enco­un­ter all sorts of natu­ral light wit­hout always noti­cing it: direct and indi­rect, during the day and at night.

Depen­ding on the time, weat­her and season, the sun radi­ates vari­ous types of light. Even after the sun goes down, we see its light ref­lec­ted as moon­light, star­light, a ref­lec­tion on the water’s sur­face or a gentle glow on a snow-capped moun­tain. Our aim is not to imi­tate these natu­ral phe­no­mena with arti­fi­cial light. Rather, we app­ro­ach light like an ing­re­di­ent in a »pain­ting«.

Artists such as Ruys­dael, Mesdag and Isra­ëls pain­ted psyc­he­de­lic skies above low hori­zons, sum­mer­be­ach scenes and wild seas­ca­pes with waves seeming to ripple out from the canvas. They cre­ated light using not­hing more than a paintb­rush, colour and emo­tion. These power­ful pic­tu­res have the abi­lity to trans­port us into a dif­fe­rent world.

The Miami Beach Sounds­cape Park, West 8 Arc­hi­tects: cohe­rent exp­res­sion of leisure, ple­asure and cul­ture.
Cannes Old Town: how can we use light to create a vib­rant urban space that suits ever­yone equ­ally?

In this modern age, where tech­no­logy seems to know no bar­ri­ers, we beli­eve people are seeking a return to aut­hen­tic expe­ri­en­ces.

Light in the urban lands­cape can set scenes. It should appear natu­ral – unobt­ru­sive yet essen­tial, fami­liar, and app­rop­ri­ate to the par­ti­cu­lar place.

We seek vari­ati­ons in colour, light inten­sity and move­ment to create spaces that invite people to dance, to play, to ima­gine and – the most impor­tant thing of all – allow people to be exactly who they want to be.

On the coast of the Eng­lish Chan­nel at the mouth of the river Bresle lies the little fis­hing vil­lage of Le Tré­port.

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