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Aira at Schlossgarten Stuttgart
Stuttgart, Germany

  • project Schlossgarten Stuttgart
  • client Vermögen und Bau Baden Württemberg
  • lighting designer Studio DL
  • photographer Juliane Eirich

The first men­tion of a royal garden in Stutt­gart was in 1350. Today the Sch­loss­gar­ten with its upper, middle and lower gar­dens acts as the green heart of Baden-Württemberg’s capi­tal city. Since Autumn 2020, new ligh­ting has ador­ned the upper pala­tial garden. For this ligh­ting con­cept, Studio DL used more than a hund­red pole-top lumi­na­ires by Selux – a con­tem­po­rary rein­terp­re­ta­tion of the fami­liar sphe­ri­cal lumi­na­ire that dated from the 1960s.

The pre­vi­ous pat­h­way ligh­ting in the upper pala­tial garden stem­med from 1961 when the Nati­onal Hor­ti­cul­tu­ral Exhi­bi­tion was held there. Sphe­ri­cal lumi­na­ires, in fas­hion all over the world at the time, were ins­tal­led in the park gro­unds for the occa­sion. Almost 60 years later, the Studio DL team was on the lookout for a suitable exte­rior lumi­na­ire that would blend har­mo­ni­o­usly into the his­to­ri­cal sur­ro­un­dings. While searc­hing, we came across featu­res of the lands­cape plan­ning such as roun­ded walls that matc­hed the round shape of the sphe­ri­cal lumi­na­ires,” exp­la­ins pro­ject mana­ger Johan­nes Käpp­ler. It was the­re­fore tho­ught it would be a good idea to use sphe­ri­cal ligh­ting once again for the new ligh­ting con­cept. The light­ness and trans­pa­rency of the Aira con­vin­ced the plan­ners, who thus opted to con­ti­nue with the tra­di­tion of sphe­ri­cal ligh­ting.

With its trans­pa­rent, almost imma­te­rial dif­fu­ser Aira demonst­ra­tes how natu­rally modern ligh­ting can blend into urban envi­ron­ments such as here in the Sch­loss­gar­ten. The luminaire’s appe­arance is dis­tin­gu­is­hed by its dual Tritec Optic. The golden ref­lec­tor has a par­ti­cu­larly war­ming effect, which links to the his­to­ri­cally foun­ded sen­sa­tion of com­for­table out­door ligh­ting and trans­forms the park gro­unds into a loca­tion where people can simply relax.

When plan­ning the ligh­ting, besi­des aspects of well-being and tra­di­tion, the needs of nature con­ser­va­tion were also taken into acco­unt. Since the Sch­loss­gar­ten also acts as a habi­tat for bats and hermit beet­les, cre­ating insect-fri­endly ligh­ting was impor­tant for the ligh­ting con­cept. With its effec­tive upward shi­el­ding and pre­cise light guidance, light pol­lu­tion can be pre­ven­ted using the Aira Tritec optic.

All light points have been integ­ra­ted into a cent­ral, web-based light mana­ge­ment system that enab­les remote cont­rol of exte­rior ligh­ting. Dimmed light can be inc­re­ased to full lumi­nous inten­sity for safety reasons if requ­ired. As a result, the new Aira lumi­na­ires have ensu­red an imp­ro­ved feeling of safety while enhan­cing quality of urban life for the citi­zens of Stutt­gart.

  • With its transparent, almost unembodied-looking housing, the Aira pole-top luminaire shows just how harmoniously modern lighting can blend into urban environments creating an iridescent presence. Selux has made the light of the Aira quite literally float - as a pendant luminaire for pole-top fittings or suspended on an arm, its appearance is defined by the Tritec optic.With one or two modules, various light distributions, and the light colors 2700 K, 3000 K, and 4000 K, Aira can be adjusted flexibly to the relevant situation and lighting task. As a pendant luminaire, Aira also generates a predictable downlight portion, allowing sophisticated lighting tasks to be solved on roads or squares, as well as in narrow lanes or under overhangs. With all mounting variants, luminaire optical enclosures are available in various shapes - from transparent, minimalist cylinders and spheres as standard, to versions in tinted, lacquered, or structured plastic, or even special sizes and shapes that are reimagined versions of historical models.

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